{"id":10322,"date":"2018-12-17T15:23:44","date_gmt":"2018-12-17T15:23:44","guid":{"rendered":"http:\/\/acousticguitarvillage.net\/?page_id=10322"},"modified":"2020-04-10T15:43:44","modified_gmt":"2020-04-10T15:43:44","slug":"3-edition-september-2018-2","status":"publish","type":"page","link":"https:\/\/acousticguitarvillage.net\/en\/past-editions-cremona\/3-edition-september-2018-2\/","title":{"rendered":"3\u00b0 Edition \u2013 September 2018"},"content":{"rendered":"\r\n

Presentation<\/h2>\r\n\r\n\r\n\r\n
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ACOUSTIC GUITAR VILLAGE<\/strong>
inside Cremona Musica International Exhibitions and Festival \u2013 CREMONA FAIR<\/strong><\/p>\r\n\r\n\r\n\r\n

28th-29th-30th September\u00a0 2018<\/strong><\/h3>\r\n

opening hours:<\/p>\r\n

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Friday 28th, 10am \u2013 7pm<\/p>\r\n

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Saturday 29th, 10am \u2013 7pm<\/p>\r\n

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Sunday 30th, 10am \u2013 6pm<\/p>\r\n

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In the exhibition complex of Cremona, inside Cremona Musica International Exhibitions and Festival, from September 28th to September 30th 2018, the ACOUSTIC GUITAR VILLAGE will<\/strong>\u00a0offer a packed schedule of concerts and events<\/strong>,\u00a0as well as the extensive exhibition of acoustic, classical and modern guitars and accessories.<\/strong><\/p>\r\n\r\n\r\n\r\n

Cremona Musica International Exhibitons is the world\u2019s most important event regarding high-level handicraft musical instruments, and it\u2019s the most effective marketplace in the world for contemporary lutherie: a place where artistic and musical culture find an ideal stage to express themselves.<\/em>
The guitar will have then its dedicated exhibit area, one of great importance and visibility considering its location, at the entrance of the Mondomusica pavilion; a village with the presence of national and international luthiers, small and big companies and distributors of the most prestigious brands, accessories and publishing. Guitar associations, luthiers associations and unions, and formative institutes and schools will also participate in the event.<\/p>\r\n\r\n\r\n\r\n

Our Association, under the coordination of Alessio Ambrosi, will be curating the artistic and organizational direction, guaranteeing as always the utmost professionalism and competence.
True to the successful format of the years in Sarzana, the event will present several concerts and events, right now in the planning process, on the various stages and dedicated areas. The program will include:<\/p>\r\n\r\n\r\n\r\n

\u2013\u00a0Masterclass of lutherie and didactic masterclass of acoustic guitar<\/strong>
\u2013\u00a0Contest \u201cNEW SOUNDS OF ACOUSTIC MUSIC\u201d\u00a0 for acoustic guitarists, guitar-songwriters and emerging acoustic ensemble\/bands<\/strong>
\u2013\u00a06th\u00a0ITALIAN BLUEGRASS MEETING
\u2013 STRINGS & VOICES D\u2019AUTORE, in the memory of Stefano Rosso
<\/strong>\u2013\u00a0Concerts with international artists<\/strong>
\u2013\u00a0Historical Exhibitions<\/strong>
\u2013\u00a0Conferences, workshops, meetings<\/strong>
\u2013\u00a0Demos and showcases<\/strong><\/p>\r\n\r\n\r\n\r\n\r\n\r\n

Thanks to the many partners and sponsors that make all of this possible and safe travel to all of those who will be coming in Cremona on 2018 September 28th-29th-30th!<\/p>\r\n\r\n\r\n\r\n

Sound & accessories<\/strong>\u00a0by Acus-sound \u2013 Shure by Prase \u2013 Bespeco
Partners:<\/strong>\u00a0Citt\u00e0 di Sarzana, Citt\u00e0 di Cremona, \u201cCremona Mondomusica\u201d \u2013 Dismamusica \u2013 Fingerpicking.net \u2013 Accademia di Chitarra \u201cLIZARD\u201d
Magazines:<\/strong>\u00a0\u201cDismamusicaMagazine\u201d, \u201cChitarra Acustica\u201d, \u201cGuitar Club\u201d, \u201cChitarre\u201d, \u201cStrumenti Musicali\u201d, \u201cSuonare News\u201d, \u201cSeicorde\u201d, \u201cBuscadero\u201d, \u201cIl Blues\u201d, \u201cPagine Musica\u201d, \u201cBig Box\u201d, \u201cIl Manifesto\u201d
Media partners:<\/strong>\u00a0Fingerpicking.net<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n

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Friday 28th \u2013 Saturday 29th \u2013 Sunday 30th in the Masterclass rooms:<\/strong><\/p>\r\n\r\n\r\n\r\n

Masterclass of Lutherie<\/strong>\u00a0and Didactic Masterclass of Acoustic Guitar<\/strong><\/p>\r\n\r\n\r\n\r\n

The lutherie the classes will be held by american masters\u00a0BRYAN GALLOUP<\/strong>\u00a0and\u00a0CHARLES FOX<\/strong>. The masterclass will focus on the construction of the instrument, from the selection of the materials to the final polish, on structural restoration and vintage guitars, on lutherie tooling for the small shop .<\/p>\r\n\r\n\r\n\r\n

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The didactic masterclass of acustic guitar will be taught by\u00a0MICKI PIPERNO<\/strong>, english\u00a0CLIVE CARROLL<\/strong>\u00a0and american\u00a0JOHN JORGENSON<\/strong>. The masterclass will deal with basic techniques for fingerstyle guitar, arrangements for solo guitar and elements of gypsy jazz.<\/p>\r\n\r\n\r\n\r\n

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Friday 28th \u2013 Saturday 29th \u2013 Sunday 30th, from 10am to 7pm (on Sun to 6pm) \u00a0area ACOUSTIC GUITAR VILLAGE :<\/strong><\/p>\r\n\r\n\r\n\r\n

\u2013 Exhibition of lutherie, import, publishing and accessories \u00a0for acoustic guitar, classical and modern, with the presence of international luthiers and companies \u00a0<\/strong>(now open the reservations for the booths)<\/p>\r\n\r\n\r\n\r\n

HISTORICAL EXHIBITIONS:<\/strong><\/p>\r\n\r\n\r\n\r\n

\u2013 \u201cThe guitar with f-shaped sound holes, an exhibition on the Arch-Top Guitar\u201d\u00a0<\/strong>curated by M\u00b0 Luthier Leonardo Petrucci<\/p>\r\n\r\n\r\n\r\n

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\u2013 \u201cThe Guitar in Italy between \u2018800 and \u2018900\u201d exhibition of instruments made by luthiers Gennaro Fabricatore, Giovan Battista Fabricatore, Carlo Guadagnini, Gaetano Guadagnini, Francesco Guadagnini, Giuseppe Marconcini, Pasquale Vinaccia, Giacomo Rivolta, Giorgio Gatti, Lorenzo Bellafontana, Giuseppe Lecchi, Pietro Gallinotti, Luigi Mozzani, Nicola De Bonis, Vincenzo De Bonis, Orlando Raponi, Leone Sanavia, Rodolfo Paralupia
<\/strong>curated by\u00a0M\u00b0 Francesco Taranto<\/strong><\/p>\r\n\r\n\r\n\r\n

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\u2013SPECIAL EVENTS:<\/strong><\/p>\r\n\r\n\r\n\r\n

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\u2013\u00a0\u201cThe historical Spanish guitar influence in the contemporary lutherie, the Hauser tradition\u201d<\/strong>
curated by\u00a0Marco Ramelli, Gabriele Lodi, Hermann Hauser Guitar Foundation, Festival Corde d\u2019Autunno, Acoustic Guitar Village, Cremona Musica<\/strong>
Thanks to the Hauser Guitar Foundation and in collaboration with Ing. Massimo Raccosta during the three days of the exhibition it will be possible to admire some of the most representative instruments by Hauser, a family of guitar makers who for more than a century has dedicated themself to developing instruments with incredible build quality and sound, in a rare balance between tradition and innovation. The last day of the fair will be devoted to the exploration of the sound and constructive world of Hauser and its evolution over time with a conference that will see the participation of Hermann and Kathrin Hauser with performances by the guitarist Aliosha De Santis who in recent years has developed a profound knowledge of these tools.
Important events will also be dedicated, on the 50th anniversary of his death, to the composer Mario Castelnuovo-Tedesco, who as Hermann Hauser was linked to the figure of Andr\u00e9s Segovia.
On Friday Andrea Dieci will hold a masterclass focused on the music of the Florentine composer with students from various Italian and foreign conservatories. In the afternoon, the Milanese guitarist will present his recent recording project dedicated to Toru Takemitsu recorded with an instrument by Hermann Hauser I.
The highlight of the event will be the concert \u2018Omaggio a Castelnuovo-Tedesco\u2019 by the Japanese virtuoso Kazuhito Yamashita at the auditorium \u201cLe Stanze per la Musica\u201d Civic Museum \u201cAla Ponzone\u201d, a true star of the classical guitar, who will present two of the masterpieces in concert from Castelnuovo-Tedesco the quintet op.143 and a selection of Caprichos de Goya op.195.
Before the concert it will be possible to see and listen to some instruments from the Carlo Alberto Carutti collection at the Museo Civico, curated by Accademia di chitarra \u201cA pi\u00fa corde\u201d<\/em><\/p>\r\n\r\n\r\n\r\n

THE EXHIBITION:<\/strong>
By Massimo Raccosta Collection and H.Hauser Guitar Foundation.<\/strong>
The exhibition of original historical guitars displays instruments made by Hermann Hauser I in two different periods: the guitars of the first period, before the Spanish influence, and the guitars of the later period, after the meeting with Miguel Llobet and Andres Segovia.
The guitars of the first period were strongly inspired by the most famous XIX century model of important makers like Stauffer and Guadagnini, whereas the guitars of the latter period were influenced by the deep observation of Llobet\u2019s Torres (FE09 Sevilla1859), the possibility to own and to study for many years another Torres guitar bought from Llobet as well ( FE13 Sevilla 1890), the and Segovia\u2019s Manuel Ramirez\/Santos Hernandez guitar ( Madrid 1912).
After the discovery of this new approach to the making of instruments, his project concept moved progressively towards the new Spanish guitar model.
Hauser began to make instruments in an era of dramatic and fast changes for the guitar: famous guitar players started to be included in the program of great theatres and as a soloist with orchestra and they required a new instrument, louder and with moreacoustical and cosmetic details.
We can infer that Hauser\u2019s guitar project focused on saving the original Spanish concept and, at the same time, on bringing it into the modern era with the help of Segovia\u2019s suggestion.
This concept is perfectly summarised by this quote from Segovia about Hauser guitars: \u201cthe perfect instrument that saves the Spanish sound\u201d.
The Spanish guitar models made by Hauser were two :
Inspired by Torres of Llobet
Inspired by Manuel \/Santos of Segovia
It\u2019s crucial to notice that the most renowned guitar performers after Segovia used Hauser guitars from Julian Bream, till today.
We will expo an incredible selection of original guitars to celebrate the Hauser tradition.<\/strong>
Guitar list from the Raccosta Collection
<\/strong>Guitars from the first period (pre Spanish influence):<\/strong>
1908 M\u00fcnich Model (short scale)<\/strong>
1914 Vienna Model
Guitars from makers which influenced Hauser pushing him towards the Spanish sound:<\/strong>
1860 FE13 Antonio de Torres (ex Llobet, ex Hermann Hauser)<\/strong>
1912 Manuel Ramirez (ex WulfinLieske)
Guitars from the second period (post Spanish influence):<\/strong>
1938 Hermann Hauser (ex Andr\u00e9s Segovia).<\/strong><\/p>\r\n\r\n\r\n\r\n

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\u2013\u00a01st Meeting \u201cThe Guitar in Italy between \u2018800 and \u2018900\u201d the Italian instrument in the European development contest<\/strong>, ideated and coordinated by\u00a0Lorenzo Frignani\u00a0<\/strong>andFrancesco Taranto<\/strong>
Speakers:\u00a0Angelo Gilardino, Lorenzo Frignani, Mario Grimaldi, Giovanni Intellisano, Francesco Taranto<\/strong>
with interventions by\u00a0Giacomo Parimbelli, Roberto Vallini, Mimmo Peruffo, Amenio Raponi, Filippo Michelangeli, Rosalba De Bonis, Senio Diaz, Simona Boni<\/strong><\/p>\r\n\r\n\r\n\r\n

PROGRAM ON THE LIVE MUSIC STAGES:<\/strong><\/p>\r\n\r\n\r\n\r\n

Friday September 28th<\/strong><\/p>\r\n\r\n\r\n\r\n

DEMO STAGE 1<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 7pm<\/p>\r\n\r\n\r\n\r\n

demo-showcases available to the exhibitors.\u00a0<\/strong>Performers:\u00a0Dario Fornara, I Quattro, Giuseppe Tropeano, Piero Posani, Finaz, Antonello Fiamma, Dave Goodman (Uk), Camilla Conti, Alessandro Formenti, Cristian Marin, Clive Carroll (Uk), Zarek Silberschimdt, Gavino Loche, Roberto Bettelli, Massimo Varini, Osvaldo Di Dio, Carmelo Tartamella, Pietro Nobile, John Jorgenson (Usa), Alberto Lombardi, Marco Manusso, Roberto Fabbri, Carlo Aonzo Trio, Rita Zingariello, Giorgio Secco, Francesco Forni\u00a0\u00a0<\/strong>and many more<\/p>\r\n\r\n\r\n\r\n

LIVE STAGE 2<\/strong><\/p>\r\n\r\n\r\n\r\n

from 3pm to 7pm:<\/p>\r\n\r\n\r\n\r\n

contest \u201cNEW SOUNDS OF ACOUSTIC MUSIC\u201d<\/strong><\/p>\r\n\r\n\r\n\r\n

contest for emerging acoustic guitarists, singer-songwriters with guitar, acoustic ensembles\/bands;
Elisa Casentini \u201cTami\u201d, Federico Orlando, Leonardo Buonaterra, Davide Andreozzi , Simone Dani, Luca Barbi, Giorgio Sciascia, Marco Crepaldi, \u201cCorde Celtiche\u201d, \u201cCherry in the mud\u201d<\/strong><\/p>\r\n\r\n\r\n\r\n

selections curated by Fingerpicking.net \u2013 Armadillo Club
products offered by\u00a0Aramini, Taylor Guitars, Acus-sound<\/strong><\/p>\r\n\r\n\r\n\r\n

CLASSIC GUITAR STAGE 3<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 7pm<\/p>\r\n\r\n\r\n\r\n

concerts-showcases available to the master luthiers
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\u2013 Masterclass-Seminar\u00a0 \u201cThe music of Castelnuovo-Tedesco\u201d\u00a0<\/strong>curated by\u00a0Andrea Dieci
<\/strong>\u2013 Seminar \u201cTechnique, Practice and Repertoire of Guitar in the 19th<\/sup>\u00a0Century\u201d\u00a0<\/strong>held by\u00a0M\u00b0 Francesco Taranto<\/strong><\/p>\r\n\r\n\r\n\r\n

Saturday September 29th<\/strong><\/p>\r\n\r\n\r\n\r\n

DEMO STAGE 1<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 7pm<\/p>\r\n\r\n\r\n\r\n

demo-showcases available to the exhibitors.\u00a0<\/strong>Performers:\u00a0Dario Fornara, I Quattro, Giuseppe Tropeano, Piero Posani, Finaz, Antonello Fiamma, Dave Goodman (Uk), Camilla Conti, Alessandro Formenti, Cristian Marin, Clive Carroll (Uk), Zarek Silberschimdt, Gavino Loche, Roberto Bettelli, Massimo Varini, Osvaldo Di Dio, Carmelo Tartamella, Pietro Nobile, John Jorgenson (Usa), Alberto Lombardi, Marco Manusso, Roberto Fabbri, Carlo Aonzo Trio, Rita Zingariello, Giorgio Secco, Francesco Forni<\/strong>\u00a0and many more<\/p>\r\n\r\n\r\n\r\n

LIVE STAGE 2<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 7pm<\/p>\r\n\r\n\r\n\r\n

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6th ITALIAN BLUEGRASS MEETING<\/strong><\/p>\r\n\r\n\r\n\r\n

concerts, showcases, meetings, workshops by bluegrass musicians<\/p>\r\n\r\n\r\n\r\n

Performers:\u00a0MARC & REMY DALMASSO CLASSIC BANJO<\/strong>\u00a0(Marc Dalmasso, Remy Dalmasso),\u00a0LOVESICK DUO\u00a0<\/strong>(Paolo Pianezza, Francesca Alinovi),\u00a0Danilo Cartia-Guglielmo Palombella-Leonardo Di Giacomo<\/strong>,\u00a0COLD CASE\u00a0<\/strong>(Nirvano Barbon, Corrado D\u2019angelo, Massimiliano Ghirardelli, Andrea Vitiello),\u00a0OUTCAST<\/strong>\u00a0(Dario Lantero
Samuel Domeneghini),\u00a0HIGHWAY12\u00a0<\/strong>(laria Olcese, Valentina Rosasco, Pierluigi Carbone, Daniele Carbone)\u00a0BLA BLA SISTERS<\/strong>\u00a0(Miriam Castorina, Francesca Minutiello, Marta Sampaolo, Claudio Midiri, Alessandro Garramone, Paolo de Troia, Matteo Sampaolo),\u00a0THE TROUBADOURS<\/strong>\u00a0\u00a0(Fabio Peretti, Alessandro Perrone),\u00a0PINO E GLI ERRANTI<\/strong>\u00a0(Pino Campanelli, Gualtiero Stolfini, Roberta Bazzani, Sergio Minelli, Federico Crippa),\u00a0Maura Tomei<\/strong>,\u00a0\u00a0FOGGY FIELDS RANGERS<\/strong>\u00a0\u00a0(Paolo Cappa, Piero Carbonera, Samuel Flora, Davide Casera, Federico Pavan, Stefano Protti),\u00a0\u00a0SPAGHETTI GRASS<\/strong>\u00a0(Fabio Ragghianti, Livio Guardi, Manolo Cacciatori, Francesco Nicotera),\u00a0Giada Masoni<\/strong>,\u00a0ANDREA CESONE & THE COUNTRY CHICKENS BLUEGRASS BAND
<\/strong>(Andrea Cesone, Eugenio Poppi , Massimo Cavazzuti, Paolo Cattani , Stefano Tassi , Carlo Bergamini),\u00a0BLUEGRASS TRUCKERS<\/strong>\u00a0\u00a0(Pino Siviero, Antonio Esposito, Elio Arlandi),\u00a0SAN BRULLI STRINGBAND<\/strong>\u00a0\u00a0(Riccardo Biondi, Samuel Flora, Luca Minzon, Andrea Laudicina),\u00a0FRANCOIS VOLA TRIO<\/strong>\u00a0(Francois Vola, Bernard Minier, Lauren Paris),\u00a0Pino Ninni, Jacek Loroch, Francesco Arzeni, Fabio Mosetti, Marco Pandolfi<\/strong>,\u00a0OLDBORN BROTHERS<\/strong>\u00a0\u00a0(Emilio Vellati, Gabriele Bazza ,Martino Giordano),\u00a0DANILO CARTIA BAND<\/strong>\u00a0\u00a0(John Jorgenson, Danilo Cartia, Stefano Santangelo, Leonardo di Giacomo, Francesca Alinovi)<\/p>\r\n\r\n\r\n\r\n

coordinated by\u00a0Danilo Cartia,\u00a0<\/strong>with thepartecipation of guitar and mandolin player\u00a0John Jorgenson<\/strong><\/p>\r\n\r\n\r\n\r\n

partners:\u00a0Deering Banjo Company, Martin Guitars<\/strong><\/p>\r\n\r\n\r\n\r\n

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The musicians coming from the farthest away will win a new Deering 6 nylon strings Banjo and a Martin Ukulele!!!<\/strong><\/p>\r\n\r\n\r\n\r\n

Thank you very much to the\u00a0Deering Banjo Company<\/strong>\u00a0and to the\u00a0Martin Guitars<\/strong>!<\/p>\r\n\r\n\r\n\r\n

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CLASSIC GUITAR STAGE 3<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 7pm<\/p>\r\n\r\n\r\n\r\n

concerts-showcases available to the master luthiers<\/strong><\/p>\r\n\r\n\r\n\r\n

\u2013 Convention \u201cThe Guitar in Italy between 19th<\/sup>\u00a0and 20th<\/sup>\u00a0century\u201d\u00a0<\/strong>curated by\u00a0M. Lorenzo Frignani\u00a0<\/strong>and\u00a0Francesco Taranto
<\/strong>\u2013 Seminar \u201cTechnique, Practice and Repertoire of Guitar in the 19th<\/sup>\u00a0century\u201d\u00a0<\/strong>held by\u00a0M\u00b0 Francesco Taranto<\/strong><\/p>\r\n\r\n\r\n\r\n

Sunday September 30th<\/strong><\/p>\r\n\r\n\r\n\r\n

DEMO STAGE 1<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 6pm<\/p>\r\n\r\n\r\n\r\n

demo-showcases available to the exhibitors.\u00a0<\/strong>Performers:\u00a0Dario Fornara, I Quattro, Giuseppe Tropeano, Piero Posani, Finaz, Antonello Fiamma, Dave Goodman (Uk), Camilla Conti, Alessandro Formenti, Cristian Marin, Clive Carroll (Uk), Zarek Silberschimdt, Gavino Loche, Roberto Bettelli, Massimo Varini, Osvaldo Di Dio, Carmelo Tartamella, Pietro Nobile, John Jorgenson (Usa), Alberto Lombardi, Marco Manusso, Roberto Fabbri, Carlo Aonzo Trio, Rita Zingariello, Giorgio Secco, Francesco Forni\u00a0<\/strong>and many more<\/p>\r\n\r\n\r\n\r\n

LIVE STAGE 2<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 6pm<\/p>\r\n\r\n\r\n\r\n

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\u201cSTRINGS AND VOICES D\u2019AUTORE\u201d\u00a0<\/strong>performances by songwriters and guitarists, solo and in ensembles<\/p>\r\n\r\n\r\n\r\n

in memory of Stefano Rosso, 10 years after his passing<\/em><\/strong><\/p>\r\n\r\n\r\n\r\n

Performers:\u00a0Marco Pandolfi, Luigi \u201cGrechi\u201d De Gregori, Andrea Tarquini Trio, Andrea Rivera, Mirkoeilcane<\/strong><\/p>\r\n\r\n\r\n\r\n

Opening of the day by emerging songwriters. Performers:\u00a0Stefano Marelli, Emanuela Pellegatta, Carlo Valente, Chiara Ragnini, Veronica Marchi, Chiara Effe<\/strong>. Special Guests:\u00a0Teresa Plantamura, Lorenzo Marianelli<\/strong><\/p>\r\n\r\n\r\n\r\n

coordinated by\u00a0Andrea Tarquini e Francesco Lucarelli<\/strong><\/p>\r\n\r\n\r\n\r\n

partner:\u00a0Taylor Guitars \u2013 Elite Acoustics Amplifier
<\/strong>The best emerging artist will receive a\u00a0Taylor guitar 110e\u00a0<\/strong>and an\u00a0Elite Acoustics Amp A1-4<\/strong><\/p>\r\n\r\n\r\n\r\n

CLASSIC GUITAR STAGE 3<\/strong><\/p>\r\n\r\n\r\n\r\n

from 10am to 6pm<\/p>\r\n\r\n\r\n\r\n

concerts-showcases available to the master luthiers<\/strong><\/p>\r\n\r\n\r\n\r\n

\u2013 Hauser sound experience \u2013\u00a0<\/strong>executions on original instruments, curated by\u00a0Aliosha De Santis\u00a0<\/strong>in collaboration with\u00a0Hermann Hauser<\/strong><\/p>\r\n\r\n\r\n\r\n

\u2013 Presentation of the Cremona Music Award to Hermann Hauser
<\/strong>\u2013 Seminar \u201cTechnique, Practice and Repertoire of Guitar in the 19th<\/sup>\u00a0century\u201d\u00a0<\/strong>held by\u00a0M\u00b0 Francesco Taranto<\/strong><\/p>\r\n

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MASTERCLASSES\/WORKSHOPS AT THE ACOUSTIC GUITAR VILLAGE inside CREMONA MUSICA INTERNATIONAL EXHIBITIONS AND FESTIVAL
CREMONA FAIR<\/p>\r\n\r\n\r\n\r\n

Masterclass of lutherie for acoustic guitar<\/strong><\/h3>\r\n\r\n\r\n\r\n

Friday 28th, Saturday 29th, Sunday 30th September 2018<\/strong><\/p>\r\n\r\n\r\n\r\n

Masterclass room 1 of the Cremona Fair offices<\/p>\r\n\r\n\r\n\r\n

Teachers:\u00a0M\u00b0 BRYAN GALLOUP (US)<\/strong>and\u00a0M\u00b0 CHARLES FOX (US)<\/strong><\/p>\r\n\r\n\r\n\r\n

Translation and assistance by\u00a0M\u00b0 Max Monterosso\u00a0<\/strong>and\u00a0\u00a0M\u00b0 Piero Guagliumi<\/strong><\/p>\r\n\r\n\r\n\r\n

Cost of 230,00 euros<\/strong><\/p>\r\n\r\n\r\n\r\n

Program of the masterclass:<\/strong><\/p>\r\n\r\n\r\n\r\n

M\u00b0 BRYAN GALLOUP<\/strong><\/p>\r\n\r\n\r\n\r\n

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Bryan Galloup is an American luthier with more than 35 years of experience under his belt. Michigan based, he has always had the mission of building instruments of excellent quality, with the perfect look and tone for the professional musician. He has always perfectly mixed traditional building with new technologies, and his guitars are proof of his research towards excellence and attention to the smallest details. Each guitar he has build shows his deep knowledge of this instrument and of its evolution.
<\/em>His School of Lutherie is recognized worldwide and considered by many experts a perfect training in the education of future professional luthiers. Bryan is also one of the most expert luthiers regarding the restoration of vintage instruments, a point of reference for collectors all over the world.\u00a0<\/em>www.galloupguitars.com<\/strong><\/p>\r\n\r\n\r\n\r\n

1st day, Friday 28th September, from 10am to 1pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Fretting; demo\/hands on\/lecture<\/strong><\/p>\r\n\r\n\r\n\r\n

From material selection to final buff, fret work is the single most important topics that affect every guitar\u2019s playability and every player\u2019s performance. In this class we will move through every aspect of fretting, re-fretting and related issues.<\/em><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

\u2013 Instrument evaluation<\/p>\r\n\r\n\r\n\r\n

\u2013 Identifying fret related issues<\/p>\r\n\r\n\r\n\r\n

\u2013 Choosing fret wire<\/p>\r\n\r\n\r\n\r\n

\u2013 Fret removal<\/p>\r\n\r\n\r\n\r\n

\u2013 Leveling fretboards<\/p>\r\n\r\n\r\n\r\n

\u2013 Fret slot preparation<\/p>\r\n\r\n\r\n\r\n

\u2013 Cleaning fret slots<\/p>\r\n\r\n\r\n\r\n

\u2013 Routing fret slots<\/p>\r\n\r\n\r\n\r\n

\u2013 Prepping fret wire<\/p>\r\n\r\n\r\n\r\n

\u2013 Gluing frets<\/p>\r\n\r\n\r\n\r\n

\u2013 Hammering in frets<\/p>\r\n\r\n\r\n\r\n

\u2013 Pressing in frets<\/p>\r\n\r\n\r\n\r\n

\u2013 Fret dressing<\/p>\r\n\r\n\r\n\r\n

\u2013 Fret re-dressing<\/p>\r\n\r\n\r\n\r\n

\u2013 Addressing loose fret ends<\/p>\r\n\r\n\r\n\r\n

\u2013 Leveling frets<\/p>\r\n\r\n\r\n\r\n

\u2013 Polishing frets<\/p>\r\n\r\n\r\n\r\n

2nd day, Saturday 29th September, from 10am to 1pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Acoustic Structural Repair and the Vintage Guitar; demo\/slide show<\/strong><\/p>\r\n\r\n\r\n\r\n

Identifying repair issues to be performed, while retaining the integrity of the instrument, is the key when deciding your approach in maintaining sound acoustic performance. Too often, unwarranted procedures, that shorten the life of the instrument and kill tone, are performed when other more conservative paths are the better choice. In the class, we will discuss how to identify and separate what are normal structural stresses from abnormal structural issues that will lead to a system failure.<\/em><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

\u2013 How does the acoustic guitar work<\/p>\r\n\r\n\r\n\r\n

\u2013 Identify excessive load<\/p>\r\n\r\n\r\n\r\n

\u2013 Loaded tops and backs<\/p>\r\n\r\n\r\n\r\n

\u2013 Evaluating the guitar<\/p>\r\n\r\n\r\n\r\n

\u2013 What to look for<\/p>\r\n\r\n\r\n\r\n

\u2013 What to look out for<\/p>\r\n\r\n\r\n\r\n

\u2013 What is expected to be normal<\/p>\r\n\r\n\r\n\r\n

\u2013 Excessive repairs<\/p>\r\n\r\n\r\n\r\n

\u2013 Sound structural maintenance<\/p>\r\n\r\n\r\n\r\n

\u2013 How repairs can affect the tone<\/p>\r\n\r\n\r\n\r\n

\u2013 How repairs affect the vintage value<\/p>\r\n\r\n\r\n\r\n

\u2013 What repairs in the past have held up over time<\/p>\r\n\r\n\r\n\r\n

\u2013 What are the bottom line topics<\/p>\r\n\r\n\r\n\r\n

3rd day, Sunday 30th September, from 10am to 1pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Humidity and Related Issues; lecture\/demonstration\/slide show<\/strong><\/p>\r\n\r\n\r\n\r\n

Excessive humidity or the lack there of, is the single most important issue that will cause irreversible damage to any acoustic instrument. It is also the single most overlooked topic technicians, makers, and players neglect to monitor to ensure sound acoustic guitar performance. In the class, we will discuss the most common humidity issues related to the guitar.\u00a0\u00a0<\/em><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

\u2013 What are humidity related issues<\/p>\r\n\r\n\r\n\r\n

\u2013 What are average humidity ranges<\/p>\r\n\r\n\r\n\r\n

\u2013 What is the ideal humidity range for a shop or store<\/p>\r\n\r\n\r\n\r\n

\u2013 Using a sling psychrometer<\/p>\r\n\r\n\r\n\r\n

\u2013 Psychrometer vs. digital meters<\/p>\r\n\r\n\r\n\r\n

\u2013 How to identify humidity issues<\/p>\r\n\r\n\r\n\r\n

\u2013 How to separate humidity issues from structural issues<\/p>\r\n\r\n\r\n\r\n

\u2013 What humidity issues can be reversed<\/p>\r\n\r\n\r\n\r\n

\u2013 How humidity effects tone<\/p>\r\n\r\n\r\n\r\n

\u2013 The life of the instrument<\/p>\r\n\r\n\r\n\r\n

\u2013 What to be concerned about and<\/p>\r\n\r\n\r\n\r\n

\u2013 What is too be expected<\/p>\r\n\r\n\r\n\r\n

\u2013 Acoustic guitar cracks<\/p>\r\n\r\n\r\n\r\n

\u2013 What are the most common type of cracks and<\/p>\r\n\r\n\r\n\r\n

\u2013 How to identify their cause<\/p>\r\n\r\n\r\n\r\n

\u2013 How to determine the best repair approach and<\/p>\r\n\r\n\r\n\r\n

\u2013 What will yield the best results<\/p>\r\n\r\n\r\n\r\n

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M\u00b0 CHARLES FOX (Usa)<\/strong><\/p>\r\n\r\n\r\n\r\n

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Charles Fox has been active in the development of modern American lutherie for 50 years and he enjoys an international reputation as an artisan, designer, consultant and educator.\u00a0 His original design concepts, building techniques and production tools, such as the Universal Side Bender, are widely used by guitar builders and factories all over the world.\u00a0 Charles has been referred to as the dean of educators in the field of guitar making, having founded the first school for guitar makers in North America in 1973 and since then introduced generations of folks to the craft, including many of today\u2019s successful luthiers.\u00a0 Today Charles builds guitars and teaches small classes in his Portland, Oregon workshop, imagining that he\u2019s retired, for at least twelve hours a day.\u00a0 \u00a0<\/em>www.charlesfoxguitars.com<\/strong><\/p>\r\n\r\n\r\n\r\n

Lutherie Tooling for the Small Shop<\/strong><\/p>\r\n\r\n\r\n\r\n

There are many ways to practice the craft of lutherie.\u00a0 Thanks to globalism, post-modernism and the internet information explosion, our freedom to go about creating instruments in any way we prefer is a unique to guitar making at this moment in history.\u00a0 Somewhere between either making guitars one at a time with hand tools or using computerized machines to produce a steady stream of product, there\u2019s an approach to guitar making that\u2019s just right for each of us \u2013 an approach that maximizes both the quantity and the quality of our work while also providing satisfaction and inspiring our personal growth.
<\/em>Just as there are many ways to practice this craft once we\u2019ve got it up and running, there are also many \u2018keys\u2019, or means that we can use to unlock the door and enter into the craft.\u00a0 Guitar making is a richly multi-dimensional, multi-faceted and multi-disciplinary craft \u2013 it is so comprehensive that every individual can enter into it through his\/her own particular personal strength.
<\/em>My own approach to guitar making involves the liberal use of jigs & fixtures and other shop-made devices that enhance the accuracy and consistency of my work.\u00a0 Working this way is a natural expression of my structured approach to understanding things.\u00a0 One product of my working in this systematic way is the Universal Side Bender, used by guitar makers and factories all around the world.
<\/em>This master class, Lutherie Tooling for the Small Shop, will introduce participants to many versatile tools that they can adapt to their own uses, and ways of creating new tools to satisfy their own requirements in their own workshops.\u00a0 For three hours each afternoon for three days we\u2019ll explore the subject of lutherie tooling from the perspectives of design, execution, and use.\u00a0<\/em><\/p>\r\n\r\n\r\n\r\n

1st day, Friday 28th September, from 2:30pm to 5:30pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

\u2013 Principles of controlled guidance and subtractive forming<\/p>\r\n\r\n\r\n\r\n

\u2013 Fixtures as extensions of standard woodworking tools<\/p>\r\n\r\n\r\n\r\n

\u2013 How to analyze a task and design tools to optimize the intended results<\/p>\r\n\r\n\r\n\r\n

\u2013 Basic materials and components for shop-made tooling<\/p>\r\n\r\n\r\n\r\n

\u2013 Designing tools with 3D modeling software<\/p>\r\n\r\n\r\n\r\n

\u2013 Efficient methods for constructing and refining shop tools<\/p>\r\n\r\n\r\n\r\n

\u2013 Simple lutherie tools for guiding, shaping, sizing and locating.<\/p>\r\n\r\n\r\n\r\n

\u2013 Jigs & fixtures for the table saw, drill press, belt and disk sander,<\/p>\r\n\r\n\r\n\r\n

shaper and table router.<\/p>\r\n\r\n\r\n\r\n

2nd day, Saturday 29th September, from 2:30pm to 5:30pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

\u2013 Creating universal shop tooling<\/p>\r\n\r\n\r\n\r\n

\u2013 Vacuum devises for clamping and work holding<\/p>\r\n\r\n\r\n\r\n

\u2013 Creating more specific, complex tooling<\/p>\r\n\r\n\r\n\r\n

\u2013 A complete tooling system for creating solid body electric guitars<\/p>\r\n\r\n\r\n\r\n

\u2013 Making tools for making more tools<\/p>\r\n\r\n\r\n\r\n

3rd day, Sunday 30th September, from 2:30pm to 5:30pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

Topics covered are:<\/p>\r\n\r\n\r\n\r\n

This afternoon is focused on creating lutherie tools for research, analysis and the voicing of acoustic guitars.<\/p>\r\n\r\n\r\n\r\n

We\u2019ll demonstrate an integrated tooling system for analyzing materials, and for measuring and controlling the acoustic behaviors of both guitar plates and complete assemblies.<\/p>\r\n\r\n\r\n\r\n

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\u00a0<\/h3>\r\n

\u00a0<\/h3>\r\n

\u00a0<\/h3>\r\n

\u00a0<\/h3>\r\n

Masterclass of didactic techniques for acoustic guitar<\/strong><\/h3>\r\n\r\n\r\n\r\n

Friday 28th, Saturday 29th, Sunday 30th September 2018<\/strong><\/p>\r\n\r\n\r\n\r\n

Masterclass room 2 of the Cremona Fair offices<\/p>\r\n\r\n\r\n\r\n

Teachers:\u00a0M\u00b0 MICKI PIPERNO (IT), M\u00b0 CLIVE CARROLL (UK), M\u00b0 JOHN JORGENSON (US)<\/strong><\/p>\r\n\r\n\r\n\r\n

Translation and assistance by\u00a0Camilla Conti<\/strong><\/p>\r\n\r\n\r\n\r\n

Cost of 230 euros<\/strong><\/p>\r\n\r\n\r\n\r\n

DOWNLOAD REGISTRATION FORM<\/a><\/p>\r\n\r\n\r\n\r\n

Program of the masterclass:<\/strong><\/p>\r\n\r\n\r\n\r\n

M\u00b0 MICKI PIPERNO<\/strong><\/p>\r\n\r\n\r\n\r\n

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Michelangelo \u201cMicki\u201d Piperno is an acoustic guitar teacher, an internationally known performer and a composer of contemporary music. With his steel string guitar, he combines the sound and knowledge of the American guitar tradition with echoes of classical and Mediterranean guitar, at the service of song and melody, that he deems essential to communicate the world of acoustic guitar.
<\/em>He has worked as a composer for cinema, television and theatre, also writing didactic articles for specialized magazines Chitarre and Axe. He has published for Sinfonica Jazz the manuals Manuale di chitarra moderna and Suonare la Teoria \u2013 voll.1 & 2, Corso Completo di Chitarra Acustica, Lezioni di chitarra Acustica e Classica Fingerstyle Vol. 1, and for Fingerpicking.net the books of original compositions for acoustic guitar Original Composition and Freestyle.<\/em><\/p>\r\n\r\n\r\n\r\n

1st day, Friday 28th September, from 10am to 1pm:<\/strong><\/p>\r\n\r\n\r\n\r\n

DOWNLOAD REGISTRATION FORM<\/a><\/p>\r\n\r\n\r\n\r\n